A dramatic scene is four paragraphs, two pages or ten pages but explode onto the page in vivid images. It must have a reason to exist, purpose. A dramatic scene is well thought-out. A successful dramatic scene happens when opposing forces are in the same space. The opposing forces believe in their position, cause. They resist change and have convincing arguments. Plenty of emotion is stirred into the situation. The encounter of opposing forces gives information, seeks information, informs, convinces, compels, or logic prevails. The final action delivers a winner, loser or quitter.
A sequel follows. The sequel explains how the opposing forces feel, their state of mind which leads to the next scene. Visualize a scene before writing it. Ask questions during the visualizing process. How will opposing forces react to factor A? C? What's at stake? What's the state of mind? How can you best present a interesting scene?
See the scene from beginning to end in your mind. Act it out, if necessary. Experiment to determine what works best. Don't be afraid to re-write a so-so scene into a scene that spells-out a vivid picture of intent.
Take a look at an example from my book, "Grave Street House," published in 2007. The main character, Amanda, is having another conversation with her cousin, Lena, about dare taking. The story is told from Amanda's point-of-view.
"I didn't mean to spy, but you have another dare going? Let's talk about it."
"Dare is to ask out an older man, nothin' else to talk 'bout."
"Do you and the caller play games like that often?" I sighed.
"Jealous? I bring the only excitement to ya're borin' existence?"
"I'm just trying to help you, Lena."
"Who asked ya?" She snapped. "Ya can't even help ya'reself."
"You're not going to upset me. Don't you feel bad for what happened to Mrs. Rosetti? That alone should make you not want to do another dare."
"If ya hadn't tripped over Mrs. Rosetti's orthopedic shoes she'd never woke-up. It ain't my fault her heart is bad. Last time I wanna hear 'bout that dare. We got one last dare for old time sake. Place of my choice."
"You didn't hear a word I said. No, I don't think so."
"Amanda!"
"We're both nineteen." I tried to plant doubt. "Don't you think we're too old for childish games?"
"Feel better? Now, the dare: The person that spends two hours in Grave Street House is winner of all time.".
"You nuts? Let me tell you the story of the Kane family. Before you came to live with us nice Mr. Kane lived there, his wife and five-year-old daughter. He stayed to himself, and worked at the factory where Mother retired from. Mrs. Kane was only seen outside shopping or going somewhere in the car with him. She never sat on the porch or walked outside to chat." I took a deep breath and said, "One Halloween night he stabbed her fifty times and killed himself. Their daughter slept through the whole thing."
"But what does that got to do with our dare?"
"You've seen how anyone going in the House is either carried out or changed forever."
"We'll be together."
"I better leave for work."
I couldn't muster up the energy to confront Lena again.
In conclusion, a successful dramatic scene involves opposing forces occupying the same space, in conflict and emotionally charged.
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