The Role of Conflict in Fiction

The role of conflict in fiction is to hold the reader's attention when two opposing forces clash or disagree in their created "World". Conflict is a major element in the presentation of interesting fiction. Conflict is a quarrel or struggle, according to the dictionary. The same concept applies to fiction.

• When two characters have differing opinions conflict arises.
• It spirals out of control each time the characters cross paths.
• There isn't an easy answer.

Simple Conflicts Can Be Spun into Fiction

A person's alarm clock didn't ring-out which causes conflict in everyday life. The idea of being late for work or school can elevate stress levels, push you to rush while driving. You are focused on getting to a specific place and not on driving which leads to accidents. A character in that situation may react as follows.

• A character may speed up to avoid another reckless character.
• Take down a license plate number and try to locate the driver.
• Start a possible revenge campaign.

Creating Character Conflicts

The role of conflict in fiction is to make the conflict more interesting than in real life. Sure, pluck some ideas from real life but stir-in chaos too for successful fiction. Let's take a look at my character Reeva. Reeva met Bill indirectly when the two stood in a grocery store line listening a customer's love-life. The characters weren't familiar with each other.

• Reeva shook her head but looked forward.
• Bill coughed and muttered a few words.
• Reeva didn't acknowledge him.

 A Character's Ego

The idea of Reeva not turning around to remark about Bill's words or say anything was un-heard of to him. Everyone liked Bill who cheated and lied his way into lives. Besides, he wasn't above doing anything to get his way. In that moment, Bill decided to stalk Reeva.  

• Bill followed Reeva home from the store.
• The smile on his face was from ear to ear.
• Bill started going to Reeva's apartment building just to stare.

Conflict  

The stalking of Reeva has Bill thinking that he has a relationship with her. He has gone beyond staring at her. He knows what time she gets up for work as well as when she returns home. Bill has gone into Reeva's apartment to touch her belongings.

• Reeva noticed clothes in her closet were re-arranged. 
• Dishes left in the sink washed.
• She'd awaken to a turned off alarm clock.

 Reeva's Plight

Reeva has told family and friends about what has been happening. She was advised to change her door locks, move and/or call the police. She doubts the police will believe her, and she has no proof. Reeva isn't sleeping well. On this particular night, a noise pulls her to full consciousness.

• Reeva jumps to her feet.
• She grabs one of the 5" heels.
• She moves toward where the noise originated. 

The Noise

Bill had been sneaking into Reeva's apartment for about 2 months without being caught. He has watched her sleep, even stolen through her personal belongings. Still, the 30-year-old couldn't find the courage to address Reeva or introduce himself.  

• Reeva finds everything in its place.
• She manages to go back to sleep.
• She wakes up late and takes the day off.

Reeva Goes to the Store 
 
Reeva washes clothes in the apartment's laundry room. She dusts and cleans. She tires of sitting home and goes out to the store. Or, she just wants to get away from the apartment. She grabs her hand-bag and leaves. Bill has moved into the apartment under Reeva's, knows where she shops and follows her.   

• She sees Bill at the Less-Everything Store.
• He pretends to look at an item.
• Reeva runs in and out of different stores.

Bill Makes His Move 

Bill shows-up at the last store Reeva visits. She recognizes him but isn't sure from where. Reeva backs up as though she's uncomfortable. She grabs her few bags with items and departs. She looked behind her several times. 

• Bill catches up with Reeva and tries to start a conversation with her.
• Reeva speaks and moves away from Bill.
• Reeva wants nothing to do with him.

Moved Furniture

 A few days passed without major incident. Reeva took a nap to get up earlier than usual to bake cookies for the party at work. Bill walks in as she's in the kitchen. Reeva runs to her bedroom with Bill following. He reaches for her. She falls, lands on her shoes and wraps her fingers around a five-inch heel.  

• He drags her to him as she screams.
• She tries to wiggle free, kicks.
• Bill pulls Reeva up with her hair.

The Struggle Continues

Reeva asks what he wants, why and how did he get into her apartment. Bill kicks her and she moans. She slowly raises the high heel shoe and stabs him in the eye. Bill pushes Reeva and she falls to the floor. He howlers as he snatches the shoe from his eye.     

• He steps on Reeva's body as he palms one eye.
• Reeva rolls around the floor.
• Bill stumbles as Reeva stands.

Conclusion 

Bill is dazed, throwing words of ill-repute at Reeva. He searches for the door. Reeva heads for the bedroom to get her cell phone. She dials nine-one-one. She hears a big boom as she talking to the nine-one-one operator. She looks-up to see Bill charging at her.   

• She drops the cell phone.
• Reeva hops up and begins throwing bottles of cologne and fingernail polish.   
• Bill in an effort to avoid them bumps into the wall, head first and falls-over.

The role of conflict in fiction requires a resolution too. It may not be a happy ending, but there must be a resolution. The resolution should come from the characters involved with he disagreement. In other words, it wouldn't be fair to readers or ring true if a neighbor just walking by ran into Reeva's apartment to save her.     

Successful Writers: Write

Have a question? Agree, disagree,
with me? Leave me your opinion.

Successful writers write through
stress, approaching dead-lines
when more is required than the
three paragraphs you've written
or as creative flow goes on strike.

"I've written the paragraphs ten
times, and can't think of anything
else to write." A writer said.

"Too many ideas, can't sleep." A few
writers shared.

The above statements are a result of
stress, but successful writers don't
allow it to stop them.

Stop stress blockages by writing
anything related to the paragraphs
or written work. Distance yourself
from the writing project for as long
as possible.

Come-back to it refreshed and with
new writing ideas. Continue developing
your writing ideas. There's a chance that
the original writing idea has lost its
appeal. Don't waste time on a writing
idea going nowhere.

Begin exploring the new writing idea.
Write anything about it. Random writing
stimulates the creative process. Writing
ideas will take shape. The more you write,
the more stimulation for your creative
flow.

If writing about a specific topic fails to
help, write about any subject. Pick a
topic that's new to you. It'll push you to
write more. Perhaps, do some research? The
goal is to write.

An approaching dead-line demands a finished
writing project. A met dead-line makes a
statement about your professionalism.

First, take a deep breath, two and
relax.

Select any phrase in your writing project
as the dead-line grows closer. Write about
the phrase. Pick a second and third phrase,
if necessary.

Is there a funny aspect to your topic?
The funny line, sentence, takes your
mind off the dead-line and frees your
creative flow.

Sometimes, creative flow takes a rest.
Still, successful writers write, but how?

One method to encourage creative flow
is to write down why you can write.
Look at it. Move pass it. Go back to
your writing project and complete it.

It helps to look at research about a
writing project and then spin-out your
own writing project. It's time to pass
your goal, and writing is the way to
do it.

Creative flow can be stimulated by
research, writing.

Successful writers use writing, research,
when stressed about dead-lines that can't
be ignored, and when creative flow wants
a time-out.